The Winstons and the six seconds of audio they created that forever changed music. Kudos to my good friend Chris for seeding this to me. Best documentation of the Amen Break and its influence I’ve seen.
2 days ago
November 20, 20093 days ago
November 19, 2009
At this point, I’m not sure which has become more tiresome: Roland Emmerich’s penchant for emotionally overwrought end-of-the-world pictures or his penchant for giving said pictures time-specific titles. With the exception of Godzilla, which advertised its subject with forthright specificity, his titles have exhibited a peculiar insistence on emphasizing the when at the expense of the what: Independence Day, The Day After Tomorrow, and now 2012. (Even his relatively Armageddon-free caveman film—humankind evidently hadn’t yet built enough to bother annihilating—was called 10,000 B.C.) I shudder at the thought of such potential future projects as A Week from Thursday, Maybe Sometime in the New Year?, and Whenever.
6 days ago
November 16, 2009(null)
- Me: (Speaking to Waitress) May I have the Kani Su?
- Waitress: Ok one Kani Su
- Magee: What's Kayne Soup?
2 weeks ago
November 7, 2009A Decade Ago
Even though I had been (unknowingly) listening to it before this compilation, it was this release that caught my attention and put a name to this sound emerging around me. Ten years ago, I got my hands on Gatecrasher: Red and it was an incredible introduction into the world of Trance.
Trance RIP 1990-2005
