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I get asked all the time to donate to some cutely named charity so thinking it was nothing more than a direct donation to some charity, I nodded to the Publix Clerk when she asked if I would like to donate for a “Santa Dollar”. She handed me an envelope with which I did not pay much attention to as I threw into my grocery bag. Fortunately curiosity fuels me and I took a peek in the envelope (It’s legal tender too).
I’m guessing I’ll put it up somewhere.
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“At this point, I’m not sure which has become more tiresome: Roland Emmerich’s penchant for emotionally overwrought end-of-the-world pictures or his penchant for giving said pictures time-specific titles. With the exception of Godzilla, which advertised its subject with forthright specificity, his titles have exhibited a peculiar insistence on emphasizing the when at the expense of the what: Independence Day, The Day After Tomorrow, and now 2012. (Even his relatively Armageddon-free caveman film—humankind evidently hadn’t yet built enough to bother annihilating—was called 10,000 B.C.) I shudder at the thought of such potential future projects as A Week from Thursday, Maybe Sometime in the New Year?, and Whenever.” — Christopher Orr
Even though I had been (unknowingly) listening to it before this compilation, it was this release that caught my attention and put a name to this sound emerging around me. Ten years ago, I got my hands on Gatecrasher: Red and it was an incredible introduction into the world of Trance.
Trance RIP 1990-2005
Stop wasting your time on stupid shit.